Domenica Ewald is an interdisciplinary artist working with movement, material research, perception, and embodied sensation in relation to space.
She develops participatory and choreographic formats in which movement, touch, texture, and spatial relations function as artistic materials for constructing shared situations. Her practice is grounded in choreographic thinking and unfolds across performance, site-responsive formats, and participatory constellations. Through an ongoing investigation of sensation and material presence, she explores how bodies encounter environments, objects, surfaces, and one another. Rather than representing movement, her work creates conditions in which attention, presence, sensory experience, and relation become the work itself. Materiality is approached not as a passive element, but as an active collaborator shaping perception, atmosphere, and bodily awareness.
Her work has been developed in collaboration with institutions including Museum Brandhorst, Lenbachhaus, and the Pinakotheken, as well as in theatre, educational, and independent artistic contexts.
She holds an MA in Arts and Learning from Goldsmiths, University of London, and a BA in Theatre Studies and North American Studies from Ludwig Maximilian University of Munich. She is currently completing an MFA in Creative Practice at Trinity Laban Conservatoire of Music and Dance.